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I mean it. Go to the library. Walk around. Observe the staff and patrons. How you feel about a place will impact how much satisfaction you'll get on the job. Be Nervous, but Confident That's right! It's okay to be nervous. Just remember to be confident, too. you've got this and you know your stuff. You were asked to interview for a reason. Being nervous is normal for anyone applying for any position in any profession. It shows you care about the job, you want it, and you are willing to work hard to get it. But remember: "I know what I'm doing. " Repeat that to yourself when you're about to interview for that first (or any) library job you want. You sent in your resume and polished up your portfolio. You're qualified. As a new librarian who just went through the interview process: I am just as nervous, confused, and overwhelmed as everyone said I would be. One thing I can say with confidence is that the library hired me because I am a qualified and capable librarian. You won't get an interview for every application you submit to a librarian job opening.
"Most of us have some sort of hybrid of these two areas, so we mix behind-the-scenes work with public-facing work. " "There are also different organization types that employ Music Librarians, such as academic libraries, public libraries, or ensembles. There are some commonalities between all of these, but the day-to-day work might be different. Ensemble librarianship, in particular, can be quite different than academic and public librarianship. " "While the latter libraries will typically have collections of books, scores, and media to support research into and performance of music, an ensemble library will frequently be a collection of scores and parts for a very specific group. " "For example, one might oversee a collection of orchestra scores for a major symphony or jazz charts for a big band. The Ensemble Librarian will be responsible for organizing these materials and making them accessible to musicians in the ensemble, but they might also need to add markings to parts or keep track of who played which part for which concert. "
Elsewhere, someone's first job might be a very specialized position in a larger music library; this person might focus exclusively on building audio collections or processing and preserving manuscript collections. " "Start working in your campus music library immediately, if possible. If you don't have a full music library, get whatever library experience you can. You might be able to work in the campus library and eventually do some sort of project related to music collections there. Get experience helping with the ensemble libraries on your campus. Take coursework (or get a degree) in music. Do as much research on music topics as you can to familiarize yourself with sources used in music. " Cleveland says, "Experience working in a music library as a student assistant or paraprofessional (non-degreed permanent staff) is one of the best preparations for a career in music librarianship. Most library programs require some sort of internship or practicum experience, so those interested in music librarianship should definitely try to complete that experience in a music library, but any additional experience will definitely help. "
For me, the work is delightful because I get to immerse myself in music and then help others to do the same. " What is one thing I should have asked which I didn't? "What's the best thing about your job? "Collecting and preserving music gives us the opportunity to connect people with music from their own past, and this is a wonderfully rewarding thing to do. People frequently approach us with questions about music played at their parents' wedding fifty years ago, or the theme song to a favorite childhood television show. Being able to point people to the music and help them access scores or recordings of that music is such fun! " If you could describe in one word what makes you successful, what would it be? We use cookies to understand how you use our site and to improve your experience. This includes personalizing content and advertising. By continuing to use our site, you accept our use of cookies, revised Privacy Policy and Terms of Use. © 2021 | All Rights Reserved | Content may not be duplicated without express written permission.
2020 has shown us, more than any other year, how important it is to be the # creative beings we are, and to nurture the connections we have with each other. Click on the link to learn more about donating: # endofyearcampaign # donations # friendship Disclaimer: The attached image does not reflect the actual design of the MOLA tote bag appreciation gift. We do, however, endorse the hashtag # totinglikeaboss. See More The New York Times crossword puzzle today reminds us how appreciated tote bags are, with many companies having their own iconic designs. We instantly recognize them when we see them. Soon MOLA will have its own tote bag to show off around the world! To show our appreciation for donating $30 USD (or more) to MOLA before the end of the year, we will send you a tote bag with a special design by Maureen Conroy ( Minnesota Orchestra) encompassing themes of librarianship and camar... aderie. We know you will all love it, as the dimensions will allow easy transportation of sheet music!
We know you will be satisfied with the tote bag, and appreciate your donations as we continue to do our best to provide opportunities for professional development and networking through our various funds. From website maintenance and newsletter distribution to conference planning and mentorships, we could not do it without your continued support. To learn more about how to donate, please follow this link: # Librarianship # camaraderie # librarianinglikeaboss # totinglikeaboss # highfive # donation # endofyearcampaign See More Our end-of-year campaign is still accepting donations! As you finish your holiday shopping, please don't forget to include MOLA on your list of gift recipients. For a $30US minimum donation, we will send you a tote bag with a design created by Maureen Conroy ( Minnesota Orchestra) around the themes of # librarianship and # camaraderie. In line with those # values, you many also donate on behalf of someone who has helped you through this year. It could be emergency bowings, sca... ns of some missing parts, or even someone who virtually checked in to talk through the roller coaster of emotions we experienced.
Will supervise work assignments for Library Fellows and Library Intern. Assist with end-of-season breakdown, returning and storage of all music and equipment. Qualifications: Previous orchestral and library experience; experience in an orchestral operations and/or music library setting is required. Must be able to handle organizational and communication aspects of the position in a positive, professional, and timely manner. Must know how to use Xerox/copier machines (oversized pages), and binding materials. Above all, must have a positive attitude and be a team player. Compensation: Contract: $3, 500. 00 Duration: June 8th, 2020 – July 28th, 2020. Application Procedure: Please send cover letter, resume, and references with application. PDF format preferred. For questions, email Application Deadline: March 15, 2020
"Those interested in public service positions should enjoy working with others, while those interested in more technical work should be good at detail-oriented work, " Cleveland says. "In all cases, a passion for helping others will make for a much stronger Librarian. " Of course, a love for music is also important! " "Music library jobs at academic institutions will usually require a bachelor's in music—though sometimes substantial coursework in music might be sufficient—and a master's degree in library and/or information science from a program that is accredited by the American Library Association, " Cleveland tells us. "In many cases, a master's degree in music is also required or preferred, and, occasionally, a job might also require or prefer a Ph. D. " "The largest support organization for Music Librarians is the Music Library Association, " Cleveland says. "In addition to hosting meetings on music library issues, the Association has its own journal, Notes: The Quarterly Journal of the Music Library Association, and several series of publications on topics of interest to those looking at music librarianship and music topics.
Since 2014, Castle of our Skins has celebrated Black artistry by bringing Black music, stories, and culture to the stage and fostering interest in classrooms thro... ugh lectures and educational concert programs. Give their page a follow and check out their website () to see the creative programming and resources they've produced as well as information on upcoming projects. Do you know of organizations in your area that are doing similar work? Tell us about them in the comments! # BlackHistoryMonth # LiftBlackVoices See More In recognition of Black History Month, MOLA would like to encourage all of our followers to take some time to learn about contributions Black composers have made to the world of classical music. Music by Black Composers - MBC is a fantastic resource for discovering the music of both historic and living Black composers. One of their many goals is to make the music of Black composers available to everyone, and they have an in-depth list of resources ready for musicians to explo... re.
You will be given a task to complete. It could be a presentation based on a question (teach a lesson to 5th graders on credible web sources), a class focused on a particular audience, or a coding challenge. You won't be asked to go in blind. A few days before my interview, my interviewers gave me the coding challenge to complete at the interview. I practiced it over and over, knowing they would throw in a curve or two. During the actual interview, the curve threw me, and I made a mistake. But because I had practiced, I corrected the issue right away, and my speed and accuracy impressed my interviewers. [cta_widget block="cta-lis-a"] Learn About the Library You need to learn as much as possible about the library before you interview. It isn't a matter of impressing the interviewers on your knowledge. You want to gain as much insight into the workings of the library as possible. In the end, you want to be sure their goals and policies align with yours. Learn about the: Events and programs they run People you might be working with Boss you might be working for Culture of the library And remember to visit the damn place!